The Moss Haggadah - original manuscript. Full white alum-tawed goatskin with blind tooling. Bound 1987.
Passover Haggadah. Shuki Freimann Ltd. Full blue and tan goatskin with inlaid panels and enameled pieces, gold tooling. Bound 2007.
Passover haggadah. Studio Hey. Full scharf-joined goatskin with onlays. Bound 2007.
Passover haggadah. Even Hoshen Press. Full yellow goatskin with multicoloured onlays. Bound 2007.
Passover haggadah. Aryeh Editions. Full brown goatskin with onlays and blind tooling. Bound 1999.
Passover haggadah by Avner Moriah. Full black goatskin with onlaid and inlaid design from a painting in the book. Bound 2003.
Full brown goatskin with metal attachments by Swed Masters Workshop. In a full leather folding box.
Siddur. Full maroon goatskin with onlays, sanded and waxed. Bound 2002.
Koren Humash - a boxed set of several copies. Full goatskin design bindings with maril inlays. Bound as a gift for the Kehilat Yedidia Library to honour the birth of Resheet Fridlender.
Selected psalms. Full terracotta goatskin with papercut onlays by Luba bar Menahem. Bound 2003.
Jerusalem haggadah. Full scharf-joined leather with multi-coloured onlays and gold tooling. Bound 2003.
Soncino Humash. Full cream vellum with Soncino logo blocked in gold. Bound 2006.
Siddur for daily minha and kabalat Shabbat. Full scarf-joined goatskin with underlays, sanded and waxed. Binder's copy.
Morning Prayers for Shabbat. Bound in Paul Delrue's 'lacosse' style with 15 pieces of sanded brown and red leather. Hebrew letters, including the binder's name, were cut from bristol and glued under the leather to show as a lighter color after sanding. Gold lines and dots were then tooled around the columns of letters.
The Treister haggadah. Bound in full sprinkled goatskin to simulate the original cover.
